Death with Dignity Act in the USA

Post has two assignments

1:PIANO RECITAL CRITIQUES

There are two recital critiques to submit via Canvas during the semester (deadlines are in the syllabus). Each should be 750­–1000 words long. (This assignment description, for example has 867 words)
Critiques should be based on piano recital performances attended during the semester.
An original copy of the program for the recital attended must be submitted to your Instructor, or a 15-point penalty will be assessed.
A student who does not actually attend the recital being reviewed will receive zero for the critique and an additional deduction of two full grade letters for the course.
In rare circumstances, your instructor may substitute the review of specified videorecorded performances for a live recital. This is only at the discretion of the instructor.
Your critique should include the following elements:
· The date, time and location of the recital
· The name of the performer
· The names and dates of the pieces performed, and the names of the composers who wrote those pieces.
· Did any of the pieces have individual movements (smaller sections) listed on the program?
· What are the meanings of any titles of pieces or titles of movements?
· Compare the styles of the different pieces on the program. How do pieces written earlier in time sound different from pieces written later in time? You should talk about dynamics, tempo, and the ways in which the piano is used. Is the piano used to make song-like melodies, or is it being used for rhythmic effect? Are lots of notes used at the same time, or just a few? Are both rhythm and melody happening at the same time? Be sure to talk about all the pieces on the program.
· From your own knowledge of piano playing so far, describe the physical approach that the performer had to the piano. Describe the performer’s posture, movement, and overall use of their body.
· What parts of the recital did you really like? Why? Be sure to talk about aspects of the music here—talk about the pieces in terms of melody, rhythm, tempo, dynamics and so on. You can also talk about the performer’s interpretation.
· What parts of the recital did you enjoy less? Why? Again, be sure to give details about the music and the performer.
· One of the main jobs of a pianist is to make sure that the audience can hear the melody (when there is one)—even when there are lots of other things happening in the music. How did this pianist succeed in the pieces on this program?
These critiques will be graded as follows:
Clarity of writing: 5 points
Details of recital and performer: 5 points
Discussion of compositional style
(critique of the music): 10 points
Discussion of the performance
(critique of the performer): 10 points
You can easily find a list of performances at: http://www.music.indiana.edu/events/ (????????)
The piano recitals are those that contain the name of a single performer, followed by the word “piano” (e.g. “Jane Marie Smith, piano”).

The Performance takes place in Auer Hall and 8p.m. April 10th 2017. The performer is Soojin Joo

2:Death with Dignity Act in the USA

Death with Dignity Act in the USA with APA style

include
-Abstract
– Introduction
-Looking at the background of Death with Dignity Act in the USA
-Definitions
-States that active with Death with Dignity
-Tow legal cases (court cases) that give patients Right to Death with Dignity if doctors give them permission with bearing upon issues at hand, some historical development and current acts, and the resultant actions or activities related to the healthcare profession.
– Impact of Death with Dignity Act on health care system in the US
-Each page must contain 25 lines of text, margins must be within the 1-inch standard and all other APA 6th guidelines must be followed.
-The cover page, abstract page, and all reference pages are in addition to the content pages and do not count as part of the required 20text pages

Class is legal in healthcare in the US

death